The Rocketeer Cargo of Doom #2 Review

The Rocketeer Cargo of Doom #2 Review

Writer: Mark Waid

Art: Chris Samnee

Reviewed by David Short

I love the Rocketeer. No matter who is writing or drawing the book, it’s just a whole lot of fun. It’s a simpler time. It’s simple characters. It’s a simple recipe for success: Guy with rocket, add some woman trouble, throw in some mustache twirling bad guys, and give them a personality resembling those circa 1930’s. Shake it up, and lay it on me. I have never read a Rocketeer story that I didn’t like, but what Mark Waid and Chris Samnee are doing with Cargo of Doom, is beyond great. It’s everything the Rocketeer should be.

Oh, Cliff. I’m not sure things ever go 100 percent right for you, but damned if you don’t try your best. People around the Rocketeer view him as a super hero, a la Superman or Batman in their respective worlds, but what they don’t realize is Cliff isn’t really anything like those guys. He’s just a regular dude, with the best of intentions and a ton of heart—who happens to have a cool helmet and a rocket pack. That’s what makes this book special. He’s trying hard to be the hero, but you know somewhere along the lines it’s going to go awry.  I don’t think it could go further from planned than how things pan out for Cliff in this issue. But just as I know things go bad for our hero quite often, I also know that he will find a way to make things right. For that, I cannot wait.

This is only half the fun of the book though. The absolute best part of the issue is the reveal of the cargo, and the resulting dastardly plan. I will not spoil it for you (because I’m a good person, and you should be reading it for yourself!), but it left me with the biggest smile on my face. I know Cliff is in danger, but I simply couldn’t get over how awesome the master plan was. It’s the kind of imaginative concoction I expect out of Axe Cop, but it’s from one of the best writers in the business—and it’s executed perfectly.

There were a few complaints people had with the first issue, though they seemed to be more of a misunderstanding of what the book is than to legitimate complaints. Other than people feeling uninformed, the main gripe people had was with Betty. Many reviews and general responses I heard was that she was, umm, not the nicest lady out there. This issue should completely make up for any of those criticisms. She is genuine, and you see why she may have been a little on edge. She legitimately cares for Cliff, and it is readily apparent. Waid has done a great job making all the main characters relatable, and Betty is certainly more so in this issue.

I wish somebody would chain Chris Samnee to his desk and make him draw every comic ever! He’s flawless. His classic sensibilities work so well with the Rocketeer that I’m not sure I want anyone else to draw it in the future. It’s clean, the lines are bold, and the coloring is outstanding. More importantly, everything fits the era. Nothing seems out of place, or too modern. That includes everything from what is shown in each panel, to the style and layout of the book. It’s a throwback style that I would like to see a lot more of, and, frankly, it makes me anxious for him to come back to Daredevil.


I’ve been promoting The Rocketeer Cargo of Doom #2 all week on Twitter, and you should do yourselves—and this amazing creative team—a favor and buy this book! There are few things like it on the stands (which is a travesty) and when we get something like this, it should be supported. BUY IT!

2 thoughts on “The Rocketeer Cargo of Doom #2 Review

  1. I spoke with Waid in Baltimore about his work with Rocketeer,

    Q: Last month you started Rocketeer: Cargo of Doom. You often bring up these themes of tension, anger, and frustration through your books. How do you intend to bring them to the Rocketeer?

    Waid: That was again about relationships, the thing I am having the most fun about the Rocketeer isn’t the Rocketeer stuff and not the cargo of doom stuff. It’s the fact that the way the paradigm works Cliff Secord is the sad sack of a guy who has Betty as his true love and she treats him like crap. Clearly they are in love but she’s always putting her career first , putting other things first, always giving him the brush off when a good looking guy comes her way. I want to flip the paradigm and introduce a third angle to the triangle, so we’ve got Peevy’s niece who’s a rambunctious tomboy of a girl and mechanic but she loves Cliff. So she’s the Betty to the Betty, Veronica, and Archie triangle. So now Betty for the first time gets to be jealous. Betty for the first time starts to wonder whether or not she’s making the right moves. For me that’s the fun of it, that’s the tension of it.

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